In a 1913 preview of the Autumn Salon in Paris, where Orphism was being touted as the hot thing in painting, the New York Times wrote: “Ordinary persons may take a long time to accept Orpheism [sic] ...
Harmony and Dissonance: Orphism in Paris, 1910–1930, Guggenheim Museum in New York City, November 8, 2024–March 9, 2025 The exhibition Harmony and Dissonance: Orphism in Paris 1910–1930 at the ...
Robert Delaunay, "Circular Forms (Formes circulaires)" (1930), oil on canvas, 50 3/4 x 76 3/4 inches (128.9 x 194.9 cm) (all images courtesy the Solomon R. Guggenheim Museum) The Guggenheim attempts ...
Robert Delaunay, Circular Forms (Formes circulaires), 1930; Oil on canvas, 50 3/4 × 76 3/4 in. (128.9 × 194.9 cm). Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection ...
“Harmony & Dissonance” at the Guggenheim Museum is a mood-lifting, masterpiece-studded show that offers an in-depth look at Orphism, which is famous for being unknown. Frantisek Kupka, whose high-key ...
Like many art movements—among them Impressionism, Fauvism, and Cubism—Orphism wasn’t named by the artists creating the work, but rather by a critic. The poet Guillaume Apollinaire first saw Robert ...
The French poet and art critic Wilhelm Apolinary Kostrowicki had a knack for names, starting with his own nom de plume, Guillaume Apollinaire. Born in Rome to Polish parents, he arrived in Paris in ...
“Harmony and Dissonance: Orphism in Paris, 1910-1930,” the Solomon R. Guggenheim Museum’s exhilarating immersion in the spark and ensuing conflagration of modern European abstraction, transforms Frank ...
The sixth solo art exhibition by Gordon Borg, titled Abstract Cubism (Orphism) presents 60 new artworks, including both paintings and wood sculptures, at the Nationalist Party’s Dar Centrali, Pietà, ...
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